Raging Bull Inhaltsverzeichnis
Der aus bescheidenen Verhältnissen im New Yorker Stadtteil `Little Italy' stammende Jake La Motta beginnt schon als Jugendlicher mit dem Boxen. Gemeinsam mit seinem Manager und Bruder Joey gelingt ihm der Aufstieg bis zum Weltmeistertitel im. Wie ein wilder Stier (Originaltitel: Raging Bull) ist ein hauptsächlich in Schwarz-Weiß gedrehtes Boxerdrama von Martin Scorsese aus dem Jahr über. Suchergebnis auf klynn.co für: raging bull. klynn.co - Kaufen Sie Raging Bull günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer vielseitigen. Perfekte Raging Bull Stock-Fotos und -Bilder sowie aktuelle Editorial-Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo sonst.
Wie ein wilder Stier (Originaltitel: Raging Bull) ist ein hauptsächlich in Schwarz-Weiß gedrehtes Boxerdrama von Martin Scorsese aus dem Jahr über. [email protected] Poster; Raging Bull - Robert De Niro. Previous. Raging Bulle - Robert De Niro - Poster - Wohnzimmer. Raging Bulle - Robert De. RAGING BULL handelt vom Aufstieg und Fall des italoamerikanischen Mittelgewichtsboxers Jake LaMotta, der es Ende der Vierzigerjahre, als er seinen. March 27, Full Review…. Unsolved Mysteries. Editors Guild Magazine volume 1, issue 3 via Internet Archive. Archived from the original on January 19, Scorsese has had a long and distinguished career along with the film's lead Here de GlГјckГџpirale Gewinne.
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How did you buy your ticket? View All Videos View All Photos 3. Movie Info. Martin Scorsese. Aug 1, Cathy Moriarty as Vickie LaMotta.
Joe Pesci as Joey. Frank Vincent as Salvy. Nicholas Colasanto as Tommy Como. Theresa Saldana as Lenore. Frank Adonis as Patsy.
Mario Gallo as Mario. Lori Anne Flax as Irma. Johnny Barnes as Sugar Ray Robinson. Joseph Bono as Guido. James V.
Christy as Dr. Bill Mazer as Reporter. Bill Hanrahan as Eddie Eagan. Rita Bennett as Emma. Mike Miles as Sparring Partner.
Cis Corman. Kevin Mahon as Tony Janiro. Ed Gregory as Billy Fox. Louis Raftis as Marcel Cerdan. Johnny Turner as Laurent Dauthuille.
Martin Scorsese as Barbizon Stagehand. Charles Scorsese as Charlie - Man with Como. Bernie Allen as Comedian. Vic Magnotta as Fighting Soldier.
Kenny Davis as Referee 1st Robinson Fight. Jimmy Lennon Sr. Marty Denkin as Referee Janiro Fight. Jack Lotz as Referee Fox Fight.
Kevin Breslin as Heckler. Coley Wallace as Joe Louis. Peter Fain as Dauthuille Corner Man. Harvey Parry as Referee 3rd Robinson Fight.
Michael Badalucco as Soda Fountain Clerk. Paul Forrest as Monsignor. Peter Petrella as Johnny. Geraldine Smith as Janet.
Mardik Martin as Copa Waiter. Peter Savage as Jackie Curtie. Daniel P. Conte as Detroit Promoter. John Arceri as Maitre d'. Robert Uricola as Man outside Cab.
Allan Malamud as Reporter at Jake's House. Richard McMurray as J. Mary Albee as Underage I.
Candy Moore as Linda. Noah Young as Musician 3. Lou Tiano as Ricky. Bob Aaron as Prison Guard 1. John Turturro as Man at Table.
Wally K. Berns as Arresting Deputy 2. New on Netflix October December 26, Full Review…. April 26, Full Review….
May 5, Full Review…. November 13, Rating: 2. August 4, Full Review…. April 25, Rating: 3. August 15, Full Review….
July 19, Full Review…. March 27, Full Review…. View All Critic Reviews Dec 08, A triumph of a film.
Scorsese has had a long and distinguished career along with the film's lead Robert de Niro. This movie showcases both of these film legends at their best.
It is hard to say what exactly this film is "about". The narrative plot is straightforward enough, it follows the life of a s boxer.
The movie also explores many of the complex issues of violence against women and the psychological destruction of a man who cannot accept or understand intimacy.
The real magic is that these issues are expressed through the warped psychological outbursts of De Niro's character.
Everyone around LaMotto can see his problem, his unhealthy obsession and suspicion but he cannot help himself.
The film finds its expression through the emotional immaturity of the lead character. LaMotto cannot introspectively evaluate his emotions.
His thought process is endlessly fascinating to watch as he warps any act of kindness or love into betrayal and distance.
He lacks the emotional maturity or awareness to communicate his frustrations to words. The audience simply watches as any small act or suspicion is a window for him to confirm what he wants most of all, confirmation that his partner is unfaithful and by extension he is, himself, unworthy.
His hate is a profound one, not a hate of others or what he attacks, but a hatred of himself. Everyone around him senses it but LaMotto simply cannot.
The film delivers the signature eye for detail that made Scorsese famous. The boxing fight scenes are brilliant and brutal. The supporting cast is also excellent.
Shane S Super Reviewer. Jun 16, This is a great film on a number of levels - as a biography of former middleweight boxing champion Jake La Motta, yes, but also a fascinating character study, with stellar performances from Robert De Niro and Joe Pesci, and epic direction from Martin Scorsese.
The opening sequence sets the stage for something special; De Niro is dancing in place alone in the ring in poetic slow motion, we see the film will be in black and white and there is a smoky haze in the background as the opening credits roll.
We will soon see just how crazy this man is, as he turns over the dining table in a fight with his first wife over how long to cook his steak, yells down at his complaining neighbor that he's going to kill and eat his dog, and then goads his younger brother Pesci into punching him in the face as hard as he can.
Throughout the movie, the dialog between De Niro and Pesci is loud, confrontational, argumentative, and fantastic.
He makes out with his wife on the floor in front of his sister-in-law and their toddlers. Vikki, who lived in Florida , told stories about her life with her former husband and also showed old home movies that later inspired a similar sequence to be done for the film.
The actor found that boxing came naturally to him; he entered as a middleweight boxer, winning two of his three fights in a Brooklyn ring dubbed "young LaMotta" by the commentator.
Grips hung huge curtains of black duvetyne on all four sides of the ring area to contain the artificial smoke used extensively for visual effect.
Scorsese made it clear during filming that he did not appreciate the traditional way in films of showing fights from the spectators' view.
A punching bag in the middle of the ring was used by De Niro between takes before he aggressively came straight on to do the next scene.
According to Scorsese, production of the film was then closed down for around four months with the entire crew being paid, so De Niro could go on a binge eating trip around northern Italy and France.
According to Evje, Jake's nightclub sequence was filmed in a closed-down San Pedro club on December 3. The jail cell head-banging scene was shot on a constructed set with De Niro asking for minimal crew to be present—there was not even a boom operator.
The final sequence where Jake LaMotta is in front of his mirror was filmed on the last day of shooting, requiring 19 takes, with only the 13th being used for the film.
Scorsese wanted to have an atmosphere that would be so cold that the words would have an impact as he tries to come to terms with his relationship with his brother.
The editing of Raging Bull began when production was temporarily put on hold and was completed in Their main decision was to abandon Schrader's idea of LaMotta's nightclub act interweaving with the flashback of his youth and instead they just followed along the lines of a single flashback where only scenes of LaMotta practicing his stand-up would be left bookending the film.
Also, there was the issue of trying to balance the quality between scenes featuring dialogue and those involving boxing which were done in Dolby Stereo.
Later, Albeck praised Scorsese by calling him a "true artist". According to the producers Robert Chartoff and Irwin Winkler, matters were made worse when United Artists decided not to distribute the film but no other studios were interested when they attempted to sell the rights.
The work was completed only four days shy of the premiere. Paula Petrella, heir to Frank Petrello whose works were allegedly sources for the film, filed for copyright infringement in based on MGM's copyright renewal of the film.
In , the Supreme Court held, in Petrella v. Metro-Goldwyn-Mayer, Inc. The case was remanded to lower courts, meaning that Petrella could receive a decision on the merits of her claim.
When it first premiered in New York on November 14, , the initial release of Raging Bull was met with polarized reviews, but the film would later be met with widespread critical acclaim.
The site's critical consensus reads, "Arguably Martin Scorsese's and Robert De Niro's finest film, Raging Bull is often painful to watch, but it's a searing, powerful work about an unsympathetic hero.
Scorsese is Svengali. Perhaps both. By the end of the s, Raging Bull had cemented its reputation as a modern classic.
It was voted the best film of the s in numerous critics' polls and is regularly pointed to as both Scorsese's best film and one of the finest American films ever made.
Ebert proclaimed it the best film of the s,  and one of the ten greatest films of all time. A readers poll conducted by the L.
Daily News ranked the film 64 on a list of the greatest American movies. In , the Motion Picture Editors Guild listed the film as the best-edited film of all time based on a survey of its membership.
Martin Scorsese decided to assemble a soundtrack made of music that was popular at the time using his personal collection of 78s.
With the help of Robbie Robertson , the songs were carefully chosen so they would be the ones that a person would hear on the radio, at the pool or in bars and clubs which reflected the mood of that particular era.
The Intermezzo from Cavalleria rusticana by Italian composer Pietro Mascagni would serve as the main theme to Raging Bull after a successful try-out by Scorsese and the editor, Thelma Schoonmaker , over the film's opening titles.
The former party argued that they have rights to make any authorized sequel to the original book, which goes back to an agreement LaMotta and co-author Peter Savage made with Chartoff-Winkler, producers of the original film.
In addition, MGM argues that the defendants are publicly claiming the film to be a sequel to the original film, which could most likely "tarnish" its predecessor's reputation.
From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Raging Bull disambiguation.
Theatrical release poster by Tom Jung. Irwin Winkler Robert Chartoff. Paul Schrader Mardik Martin. Christy as Dr.
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